Now available . . .
11th Annual National Indie Excellence Award FINALIST in POETRY
2017 NABE Pinnacle Book Achievement Award winner
“Tad Cornell’s resourceful Imagist poems are often satirical—laced with insights and playfulness—about theology, philosophy, literature, and pop culture. The aperture into his poetry is the delight in writing one’s way through thinking. His sequences are seamlessly fused into one grand book by the variations of a witty voice. . . As readers “drift” through the musing texts, Cornell’s images will be unforgettable.”
~Roberto Bonazzi, San Antonio Express-News
THE POETRY OF TAD CORNELL
THE NEEDLE'S EYE: SONNETS TO CRISTOS (2016) is a volume of 109 sonnets threading together a menagerie of themes—from Native American legends, early US history, and classic Hollywood films, to contemporary disasters and human delinquency. Tempted to provide a warning label, the author instead offers unapologetic insights like found objects that ultimately point to a longing for an abiding home.
"Tad Cornell's beautifully crafted and sonorous poems create a high formal music that explores mysteries, sacred and secular. He is a Catholic poet of substance and originality."
~Dana Gioia, Laetare Medal the American Book Award winner, and former chair, National Endowment for the Arts
LISTEN to a TAD CORNELL READING April 23, 2014 from IN WHOM IS MY DELIGHT
Presentation given at the International Institute for Culture in Philadelphia, PA, upon the occasion of his retirement from a 30-year career in social work. His developmentally disabled clients and friends were invited to the event and included in the feedback portion of the program. This was also a celebration of Shakespeare's birthday (and death day) with a commentary on the theory that Shakespeare was a secret Catholic during a period of persecution of Roman Catholics by Queen Elizabeth. The presentation is rounded off with Cornell completing the reading of his poem "Spectaculum" from his book IN WHOM IS MY DELIGHT, which narrates how the poem's persona experiences, in time travel, the hidden life of Christ's childhood in rural Nazareth. The recording is in 3 parts.
Click here Reading
TUXEDO (2018) A modern resurgence of Romanticism, a new appropriation of the simple mission of uniting heart and mind . . . *
THE TUXEDO POEMS
Twenty-seven sequential poems are submitted as evidence of a new Romanticism in poetry. The narrative involves a confrontation with somnambulant twilights consistent with post-trauma rehabilitation. The promise of an alleged “future grand tuxedo” is haunted by empty suits.
THE FIVE STEPS OF THE ASTRAL MUMMY
Five stepchildren, their names numbered like cadaver toe tags, a star-crossed brood of brats secure in history, given the cloud of witnesses to a grand genre of posttraumatic stress encounters.
ROCK ’N RODEO
Summing up this five-poem series is the impulse for a simple ballad to praise a gal that is diverted into calming the herd. Cattle-drive “rough” meets the decorative mania of a cubist.
HISTRIONICUS, HISTRIONICUS, HISTRIONICUS
If the book Tuxedo were a symphony, this movement would be designated as “allegro vivace,” according to the poet in his Notes.
THE CAPRICCIO SONNETS
Twenty-eight English sonnets complete the “bucket list” oath by Cornell to match Shakespeare’s lifetime record of 154. A ghostly narrative thread runs through these otherwise stand-alone works.
NOTES on the TUXEDO Collection
For inquiring minds, Cornell offers detailed and candid prose commentary on each of the five poem cycles in this volume. He suggests, “Think of it as an art appreciation class by a visiting artist.”
*Cover painting by Sisto Badalocchio "Christ Carried to the Tomb"
IN WHOM IS MY DELIGHT (2015) is a collection of five chapbooks written between 2007 and 2015 by underground poet, and sometimes performer, Tad Cornell (T. H. Cornell).*
These modern sagas exalt reality and exult in the unity of goodness, truth, and beauty. Combining a Catholic sensibility, in the spirit of G. K. Chesterton, with a contemporary idiom, this narrative adventure celebrates the mystery of Christ and the glory of the English language.
* Cover image from a painting “Christ Among the Doctors” by Bernardino Luini
BLUE HERON RISING (2015) spans work written between 1985 and 2005. Two separate collections of individual incidental poems are distinguished by candor and wonder; the rest are long segmented poems or poem sequences that accumulate, each telling a story. The spirit that unites these chapters is the theme of being haunted by an elusive memory of past glory and shame, and the will to lift one’s Neolithic soul from Butcher Bean Creek and lyrically take wing.*
*Cover painting by George Inness "The Home of the Heron"